HUMN 303 Week 2 Discussion

Student Name

Chamberlain University

HUMN-303: Introduction to the Humanities

Prof. Name:

Date

Week 2 Discussion: Critic of the Arts

Introduction

From our readings, it is clear that we are all critics in our daily lives, constantly making decisions and forming opinions. As Jacobus and Martin (2019) note, “Most of the time it is low-level criticism, almost instinctive, establishing your preferences in music, literature, painting, sculpture, architecture, film, and video art” (p. 42). Choosing a piece of art to evaluate is itself a form of criticism. For this discussion, I chose to evaluate Nu Couché (Sleeping Nude) by Amedeo Modigliani. This analysis will focus on descriptive, interpretive, and evaluative criticism, as guided by the course materials.

Analysis of Nu Couché

Criticism Type	Description	Analysis
Descriptive Criticism	Descriptive criticism focuses on the elements of the artwork.	Modigliani’s painting employs smooth and distinct lines, deviating from realistic human anatomy, which is more dynamic. The texture, described as “the surface ‘feel’ of something” (Jacobus & Martin, 2019, p. 72), is smooth and detailed, creating a sense of depth. The colors are vibrant yet simple, emphasizing the subject and minimizing distractions. By using flesh tones for the body, the artist achieves an idealized depiction, devoid of imperfections, scars, or pigmentation flaws.
Interpretive Criticism	Interpretive criticism aims to explain the meaning of the artwork.	According to Jacobus and Martin (2019), interpretive criticism “explicates the content of a work of art” (p. 48). The painting glorifies the naked human form and portrays the serenity of rest. In a world filled with anxiety and constant motion, Nu Couché celebrates the beauty of calmness and stillness, conveying a sense of peace.
Evaluative Criticism	Evaluative criticism assesses the success of an artwork based on perfection, insight, and inexhaustibility.	Modigliani’s use of minimal colors and dynamic lines reflects his experimental approach to art. His insight into the human body and the appreciation of stillness is evident. By achieving simplicity and organization, the artist elicits a profound response, satisfying the evaluative standard of inexhaustibility. While some may find the painting controversial, its complexity lies in its simplicity and representation.

Conclusion

Modigliani’s Nu Couché exemplifies the integration of descriptive, interpretive, and evaluative elements in art criticism. His innovative use of lines, texture, and color enhances the painting’s emotional and aesthetic impact. The artwork invites viewers to reflect on the beauty of the human body and the tranquility of rest, making it a timeless piece that continues to inspire and provoke thought.

References

Jacobus, L. A., & Martin, F. D. (2019). The Humanities Through the Arts (9th ed.). New York, NY: McGraw-Hill Education.

Summer, L. (2003). The Elements of Painting. LILIPO. Bibliographic Records: Retrieved July 12, 2020, from Chamberlain Library via WebSCOhost.